Archive for 'Japanese art'

Bathing Lions

Lions awaiting cleaning

Recently, this pair of monumental bronze Japanese lions was cleaned in preparation for display.  The lions are a recent gift to the museum.  This coming winter they will be repaired and pedestals constructed.  Look for them outside the museum in May 2013.

Lion being delivered by forklift

One bronze lion arriving at the bath-house.

One of the pair before being unpacked.

These guys are heavy. The bronze lions are also rarer than their stone cousins.

Lion being hosed

Looks like he enjoys a shower.

Close-up of lion head

Ready for your close-up, Mr Lion?

 

Staff Picks: Achala Vidyaraja

In this occasional series, museum staff introduce their favorite pieces from the collection. We rotate works in our galleries every six months, so we’ll have a fresh batch of picks when new objects go on display.

The Buddhist deity Achala Vidyaraja (Fudo Myoo), 1100-1185. Japan. Colors on wood. The Avery Brundage Collection, B60S146+.

The Buddhist deity Achala Vidyaraja (Fudo Myoo), 1100-1185. Japan. Colors on wood. The Avery Brundage Collection, B60S146+.

Anita DeLucio of Facilities tells a great story about this depiction of the Buddhist deity Achala Vidyaraja (Fudo Myoo in Japanese).

Anita

During an event at the museum, I saw a young man dressed all in black, his bare arms covered in tattoos, standing in front of this sculpture. He glanced at the deity and then at his arms, noticing similarities in design between a sculpture that was more than nine hundred years old and the ink that had been painfully etched onto his skin. His arms had flames similar to those behind the deity. This moment in which centuries, cultures, and design collided is one of my favorite memories since I’ve worked here at the Asian.

Fish, Food

Carp Shaped Hanging Basket,  Lloyd Cotsen Japanese Bamboo Basket Collection.

Dootsu Toshosai, Carp Shaped Hanging Basket, Lloyd Cotsen Japanese Bamboo Basket Collection

I have worked at the Asian Art Museum for over 20 years and there are several objects in the galleries that I never get tired of looking at. In the Japanese gallery—way at the end by the tea room —we always have a beautiful collection of bamboo baskets from the Cotsen Collection on display. The baskets get changed out every 6–8 months and I look forward to seeing the new selection each time. At the moment this area is especially interesting because  the tea room objects have been selected by artist Hiroshi Sugimoto, and one of the contemporary pieces from Phantoms of Asia has found its way in there.

Section of dried salmon. Transfer from the Fine Arts Museums of San Francisco, Gift of Mr. Ney WolfskillIf you wander a ways down the Japanese gallery to the case full of diminutive netsuke (the sculptural toggles used to attach pouches to a kimono),  look for this fish with amazing details including actual fish skin.

White Miso Glazed Trout from Nojo, Hayes Valley.This usually makes me hungry for Japanese food, so at lunch time I walk over to Nojo on Franklin St in Hayes Valley for some White Miso Glazed Trout or their delicious noodles.

 

 

Hell of a Party

Last night we opened Phantoms of Asia with our first ever public preview party. While the shochu shots were surely popular, the hit of the night as far as art was concerned was undeniably Takayuki Yamamoto’s What Kind of Hell Will We Go. The work  features pieces created by local elementary school students alongside Yamamoto’s video of their presentations; fortunately the film is subtitled, because the rocking party atmosphere drowned out the sound! There was a crowd in front of the installation all night, and for a while Yamamoto himself was in the thick of it, adding to the excitement. Check out the video for more on Yamamoto’s process in creating this work, plus some charming children making art.

If you didn’t make the party we’re sorry you missed a great night. But the art is here until September 2, and tomorrow (Saturday, May 19), admission is free thanks to Target.

 

Takayuki Yamamoto with elementary school students in front of the installation, What Kind of Hell Will We Go

Takayuki Yamamoto with elementary school students in front of the installation in North Court.

Tattoo You

A tattoo by Marcus Kuhn depicting the Hindu goddess Kali.

A tattoo by Marcus Kuhn depicting the Hindu goddess Kali. Image courtesy of Marcus Kuhn.

We’re not new to tattoos. Back in 2008 we had tattoo artists work one of our Matcha evenings (you can see the video here). Taking the connection between Asian art and tattoo culture a step farther, we recently partnered with Marcus Kuhn’s online documentary project Gypsy Gentleman to film the third episode in the series.

Marcus plus tattoo artists Jason Kundell and George Campise spent nearly a full day at the museum. We see them pondering the beauty of the collection and seeking inspiration for tattoo designs, telling the viewer in one scene: “that is just dying to be tattooed.” The show explores their artistic process through to the execution of three original tattoos on eager volunteers, including one brave soul from our Marketing and Communications staff. Check out the episode, and tell us your Asian art related tattoo stories in the comments.

Top 5 for Kids at the Museum

We’ve had a mild winter in San Francisco this year, but this week will bring a colder, wetter spell. Time to find some indoor activities. We asked our museum family for kids’ favorites at the Asian; come in out of the rain and check out our top 5:

1. A perennial favorite is the glass elevator that takes you from the first floor up to the galleries. Nathaniel, aged 3, insists on riding in it every time he comes to the museum.

Vaishravana (Bishamonten), Guardian King of the North

Vaishravana (Bishamonten), Guardian King of the North and kid-pleasing demon-stomper.

2. Bobby, aged 6, is fascinated by the sculpture of Vaishravana stepping on the demon. He and his Dad walked the galleries looking for more images of people stepping on other people, and they found a lot. We’d love to hear about any you can find.

3. Recently a mom approached one of our staff at a conference to share the story of her 7-year-old son’s love of our samurai armor. Not only does he like to visit the armor on view in the galleries, he’s also completed many of our make-at-home art projects. They’re great for a rainy day when you can’t make it in to the museum.

4. Our librarian’s son, Peter, is all grown-up now and an artist himself. His favorite piece has always been the Ganesha that greets you at the top of the escalators. Young Peter was struck by the offerings people left; these made Ganesha seem not only wonderful, but all the more real. His Dad writes:

“He was especially impressed with the offerings of Hershey kisses. “Why kisses?” he once asked me. I said, “Those must be Ganesha’s favorite.” Peter replied: “I think he’s got good taste.”

5. Ishaan, aged 2, is very taken with Sanjay Patel’s depictions of Maharajas. You can enjoy them on the banners outside, but if you come in there’s more kid-friendly fare in Patel’s exhibition on the second floor. Ishaan also recommends the video ‘How to Dress an Elephant’, which can be viewed in the Maharaja exhibition.

This weekend is our monthly Target Free Sunday, so there’s no better time to get your kids out of the rain and into the museum. Maharaja: The Splendor of India’s Royal Courts closes in a little over a month, so Sunday is a great opportunity to see this colorful exhibition for only $5 before it goes away.

Is your child a fan of the museum? Share your favorite pieces in the comments.

 

See it now: Japanese Armor Rotation

This weekend is your last chance to see our Japanese armor for a while. But don’t despair – next week there will be a new one to enjoy. If you want to catch both, you’ll have to drop in twice.

XRay of a pre-Meiji set of samurai armor.

XRay of a pre-Meiji set of samurai armor.

So why are we taking this armor off view? Well, armor may look tough, but some of its components are surprisingly fragile. While steel, leather, and wood are used to create the protective plating, these are laced together with leather or silk cord. After several centuries, these materials may not be strong enough to hold the weight of the armor for extended periods. Materials can also be damaged by prolonged exposure to light, meaning that the armor needs to be rested periodically.

Our conservation center has written an article on how we look after our Japanese armor, and there are more images on Flickr.

Our conservation team has also been working to prepare the new set of armor, which is on loan from a private collection. In these pictures you can see Katherine Holbrow, our head of conservation, using a spectrometer to determine what metals are present in the samurai helmet.

Samurai helmet

Samurai helmet undergoing spectrometry. Helmet from Private Collection.

Head of conservation Katherine Holbrow adjusting the helmet.

Head of conservation Katherine Holbrow adjusting the equipment.

We rotate many of the pieces in this collection, not just armor. Over the next few months we will be doing several gallery rotations, many in preparation for Phantoms of Asia: Contemporary Awakens the Past. Keep an eye on the blog to hear about what’s coming down and what we’re replacing it with. We’ll try to make sure you don’t miss a thing.