sacred art for show?

Bull vessel for cremation

Before the museum blog started I created the Bali Art Blog to post about my trip to Bali and progress on our Bali exhibition. I was reviewing some of the comments there and thought this one would be of interest to the readers of the museum’s blog about the question of whether the museum should commission funerary arts as props for our exhibition. Gus Dark wrote:

please stop playing the sacred art with contemporary art which will causing Young generation in Bali or other place will misunderstanding or misinterpreter it, until the art itself losing it meaning, losing it sacred and “magical feeling” or we Balinese call it “TAKSU”. Feel free to search and create something new based on Balinese art but please don’t put the sacred art into modern or street art things, these arts have their own place… and we all have to respect it. thank you for your concerning about bali, I love Bali and Bali will always loves you..

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Bali videos

Work on the videos for the Bali exhibition are in full court press at the moment. I have been working with video editors Michael Rohde (SF based) to develop six videos to play in the gallery spaces and short clips for the handheld media tour,  and Martin Percy (London based) to create an interactive video kiosk. Why are we going so heavy on video with this exhibition? The key reason is our desire to convey in an immersive way the integration of art, ritual, and performance in Bali. Today we trekked out to Richmond to interview local dancer Kompiang Metri Davies. We asked her to wear her traditional Balinese temple best for the camera, but when the interview was done she had changed back into her regular around-the-house outfit of Indian looking tunic and slacks. Kompiang told us about her memories growing up in Ngis, a remote village in eastern Bali, how she came to learn dance (despite her parents’ resistance), symbolism of the various pieces of Balinese dance costume, how the mask dances frightened her as a child, dancers entering trance state, the simple bull-shaped coffins made in her village for cremation, and about making daily offerings. You may hear excerpts of her interview in the audio tour and on the introductory video. She will perform purification dances on opening day Feb. 25 and a mother-daughter dance work on Mother’s Day family festival on May 8, 2011.

Beyond Good & Evil

It’s amazing what one finds when cleaning out the closet–even when that closet happens to be a photo-hosting site.

Since I’m at nearly 7000 images and can’t seem to find anything when I look for it, it’s time to do some tagging.  A bit tedious, but a reasonable way to spend a slow Sunday morning, especially given my selective memory.  The best part about going back in time?  Discoveries like this picture I’d taken of a friend’s photograph from a trip to Indonesia (so meta!).

Whereas traditional wayang kulit (shadow theatre) is based on the great Hindu epics, the Ramayana and Mahabarata, this is wayang wahyu, a form that allowed the Jesuits to spread their word through a means more familiar to their Indonesian audiences.  The piece to the right at first looks as though it is the usual kayonan (tree of life) or gunungan (holy mountain) , but look closely and you’ll discover some non-native imagery.
This is definitely not something you’ll see in our upcoming Bali exhibition, but a fascinating aspect of acculturation.  I know a few readers have traveled in Asia–what are your favorite moments of cultural disparity?

Visiting Balinese Dancer

I will never forget seeing Balinese dance teacher Ni Ketut Arini in action in her home dance studio in Denpasar in Bali, Indonesia. She was teaching nearly 40 young girls to do Balinese dance with gentle, yet firm hands, and a huge smile. It was like her voice could control this 3D orchestra–the small hands, hips, and eyes moving together in the tight studio. She will be artist in residence with Gamelan Sekar Jaya this spring. Her dance workshop is already fully subscribed but she will be in a performance on April 24 at the School of the Arts.

Incidentally, I’m not sure if you can see it but she is wearing an Obama campaign t-shirt. When I visited Indonesia in the summer of 2008, many people were excited about the prospect of an Obama presidency. Sadly, it appears from this article in The Hill that the warm feelings have worn away a bit since then.

We hope somehow to get word to President Obama about our Bali exhibition so that he may in turn tell Indonesian President Yudhoyono about the exhibition when Obama visits there later this month.

Sneak Peek: Bali in Amsterdam

Greetings from the land of cheese and chocolate — Amsterdam. Most of our visitors probably are asking, “Why are staff from the Asian Art Museum in Amsterdam”? Well, I’m here, along with objects conservator Mark Fenn and Associate Curator of Southeast Asian Art Natasha Reichle, planning for the first ever U.S. exhibition of Balinese art.

The exhibition, Bali: Art, Ritual, Performance, will open at the museum in February 2011. But like many of our exhibitions, years of work are needed to ensure that it is a spectacular success.

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