The museum is proud to host the participants in the 2011 National Chinese Language Conference organized by the Asia Society Partnership for Global Learning and the College Board in collaboration with the SF-based Mandarin Institute. The conference takes place April 14-16, 2011 at the Hilton, and our event is the evening of April 15.
Bali Shortcuts: Ubud Cremation from Something Creative on Vimeo.
I am hoping the filmmakers who made this piece will give us permission to show it as part of our exhibition. In the exhibition, there will be a platform used for the actual burning of the animal coffin with the body inside, a ritual dagger that may have been used to cut open the coffin so the body may be placed inside, and a painting showing many of the cremation ceremonies.
Bull vessel for cremation
Before the museum blog started I created the Bali Art Blog to post about my trip to Bali and progress on our Bali exhibition. I was reviewing some of the comments there and thought this one would be of interest to the readers of the museum’s blog about the question of whether the museum should commission funerary arts as props for our exhibition. Gus Dark wrote:
please stop playing the sacred art with contemporary art which will causing Young generation in Bali or other place will misunderstanding or misinterpreter it, until the art itself losing it meaning, losing it sacred and “magical feeling” or we Balinese call it “TAKSU”. Feel free to search and create something new based on Balinese art but please don’t put the sacred art into modern or street art things, these arts have their own place… and we all have to respect it. thank you for your concerning about bali, I love Bali and Bali will always loves you..
Work on the videos for the Bali exhibition are in full court press at the moment. I have been working with video editors Michael Rohde (SF based) to develop six videos to play in the gallery spaces and short clips for the handheld media tour, and Martin Percy (London based) to create an interactive video kiosk. Why are we going so heavy on video with this exhibition? The key reason is our desire to convey in an immersive way the integration of art, ritual, and performance in Bali. Today we trekked out to Richmond to interview local dancer Kompiang Metri Davies. We asked her to wear her traditional Balinese temple best for the camera, but when the interview was done she had changed back into her regular around-the-house outfit of Indian looking tunic and slacks. Kompiang told us about her memories growing up in Ngis, a remote village in eastern Bali, how she came to learn dance (despite her parents’ resistance), symbolism of the various pieces of Balinese dance costume, how the mask dances frightened her as a child, dancers entering trance state, the simple bull-shaped coffins made in her village for cremation, and about making daily offerings. You may hear excerpts of her interview in the audio tour and on the introductory video. She will perform purification dances on opening day Feb. 25 and a mother-daughter dance work on Mother’s Day family festival on May 8, 2011.
Art-Bab-ble [ahrt-bab-uhl]
noun; verb (used without object) -bled, -bling
1. free flowing conversation, about art, for anyone.
2. a place where everyone is invited to join an open, ongoing discussion – no art degree required.
The Asian Art Museum has now joined the ranks of institutions such as the Guggenheim, the Art Institute of Chicago, and the New York Public Library on ArtBabble.
What is ArtBabble? And how is it relevant to teachers? (You may ask.) Well, ArtBabble was conceived and initiated by the Indianapolis Museum of Art in order to showcase video art content in high quality format from a variety of sources and perspectives. ArtBabble is not blocked by school districts (as is YouTube), and has a great Notes feature, which allows you to delve deeper into video content via related educator resource packets, websites, works of art in museums’ collections, and much more.
Check out our latest video, What does the Asian Art Museum Mean to You? Babble on! www.artbabble.org
Tag: Round Two. In this series museum staff, artists, and guests answer a grip of questions about life, love, liberty and all that magic. The featured person then tags another with five more questions. It’s like transmitting a virus, but happy and fun. Next up is, me, Ken Ikemoto, School Programs Associate, tagged by Nicole Harvey.
Ken Ikemoto
Where do you most want to be right now?
At this moment there are many places that I would love to be. But one place that comes to mind would be soaking in a steamy outdoor bath somewhere in northern Japan. My mind would be soft clouds slow gliding across tall azure skies and the sound of trickling water, distant songbirds, and the wind in the leaves. Yes, that is where I want to be right now. Oh, and about half an hour later I will want to be eating a sumptuous feast of delectable foods.
Jeffrey Wasserstrom gave a really interesting interview on KPFA this morning about China. (He comes on at 34 minutes into the morning show).
It made me think anew about the rapid changes China has undergone over the past 40 years. When asked for his predictions for the future of China, Jeffrey said he expects China to keep surprising us since all predictions have been off base for a long time. Jeffrey, who is professor of History at UC Irvine, will be at the Asian introducing some films about contemporary China on September 5 at 11am and 2pm, and at 12pm will be signing copies of his books, including his latest Global Shanghai, 1850–2010.
Every clear morning I tuck in my right pant leg and pedal my way over to the museum. After setting my silver wheels up on the bike rack in the loading dock, I take the stairs up to the Education offices on the second floor. The dimly lit entry to the Education office space is located behind the tea room in the second floor Japan galleries. Because I pass through these galleries everyday, I always look forward to new rotations of Japanese art.
The latest additions to the Japan galleries include a pair of near-life-sized Japanese dolls in kimono complete with miniature accessories in a striking installation. Their innocent smiling white faces reflect in the gallery cases behind my own reflection. I know my sister would absolutely shudder at that description because she is one of those people that are just irrationally creeped out by dolls but I find them to be quite cherub-like. They are a part of the thematic exhibition Japan’s Early Ambassadors to San Francisco 1860-1927, currently on display.
This exhibition begins with the arrival of the ship Kanrin Maru and the first Japanese embassy in San Francisco, this year being the 150th anniversary of their arrival. It examines the experiences of some of the first Japanese diplomats and cultural emissaries to the United States. The exhibition also includes artwork and objects relating to Japanese artists active in San Francisco in the late 19th and early 20th century.
“Hey so you know Mr. C, the history teacher? He is actually pretty cool for a teacher I guess. He set up this field trip to go to the Asian Art Museum next month.”
“Yeah? That place is hecka cool man. I went there a couple times in elementary school and we did some Chinese painting class and another time had a samurai thing.”
“Neat! You know my cousin, she’s really into art, she is doing a program there where they’re talking to a high school in China.
“That’s cool. Yo, I heard that this one time, they even had some kung-fu guys breaking bricks and stuff!”
“No way! That’s awesome. This will actually be kinda fun. Go Mr. C!”
My homework this week is scanning old Chinese movies for interesting clips of Shanghai for possible screening in the exhibition. The exhibition curator Michael Knight was given a stack of DVDs from a Chinese contact with permission to use. (I think they are all in the public domain).
乌鸦与麻雀 / Crows and Sparrows poster (1949)
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