Bringing you Bali

If you’ve been to the museum lately, you might be wondering what is occurring behind the screens and beneath the newly darkened ceiling outside of our first floor galleries.

Here is what’s happening: we’re bringing Bali to you! Museum exhibition staff have been busy unpacking loans, condition checking objects, arranging cases, and even building a Balinese pavilion under our own roof.

We still have two weeks  until the exhibition opens to the public, but here’s a quick peek of what we’re doing between now and then.

Senior Registrar Sharon Steckline checks up on a set of gold earrings, held secure with their new custom mounts.

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Beyond Golden Clouds out the door

2011 is here and with it comes some goodbyes. For the past three months, museum visitors have been treated to the beauty and elegance of the painted screens (as well as more modern mixed media interpretations) featured in Beyond Golden Clouds: Five Centuries of Japanese Screens. However it’s time to move on into another year of exciting exhibitions, so this past week we carefully packed up these masterworks and sent them home to the Art Institute of Chicago and the Saint Louis Art Museum. Taking down a gallery is typically faster than installing the artworks initially, but still requires a great deal of coordination, patience, care, and reverence for these awesome works.

One of Jiro Okura's Mountain Lake screens is packed. Because of their great weight and the delicately affixed gold leaf surface, these screens present unique handling and transportation challenges.

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Not so hidden after all

Flying someplace fabulous this summer? If so you might just stumble across the Asian Art Museum on your way out of town.

Hidden Meanings: Symbolism in Chinese Art at San Francisco International Airport (photo courtesy San Francisco Airport Museums).

Beginning this week, more than one hundred objects from the museum’s collection will be featured in the San Francisco International Airport (SFO) exhibition Hidden Meanings: Symbolism in Chinese Art. Based on the work of Asian Art Museum curator emeritus Terese Tse Bartholomew, this exhibition explores auspicious symbols and wish-granting motifs found in Chinese art.
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Art outside our doors

If you’ve been around the museum this morning, you’ve probably noticed a flurry of activity across the street from us. In celebration of the Shanghai San Francisco Sister City 30th Anniversary Celebration, the  San Francisco Arts Commission is presenting a colossal sculpture by Chinese artist Zhang Huan, titled Three Heads Six Arms (2008).

We blogged about this upcoming addition to the neighborhood some months ago, and are now thrilled to actually see it going up right outside our doors!

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In the galleries: a few additions

Over the coming months, astute visitors may notice some gallery changes that are not part of our regularly scheduled gallery rotations. This is because with Shanghai is up for an extended period, museum staff have an opportunity to rotate some of our less light sensitive objects, including bronzes, ceramics, and stone sculpture. This week we started by installing three new works in the South Asian and Chinese galleries.

First, newly on view in the South Asian galleries is a recently acquired silver bowl featuring scenes of Zoroastrian rulers. Made in a Burmese silver shop for a well-to-do Parsi family, this impressive bowl measures more than a foot in diameter and was meant for use in an annual ceremony honoring deceased relatives.

Ceremonial bowl with Zoroastrian themes, approx. 1875. Burma. Silver. Acquisition made possible by the Zarthosti Anjuman of Northern California, Rati Forbes, Betty N. Alberts, and members of the board of the Society for Asian Art in honor of Past President Nazneen Spliedt, AAM# 2009.25

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Spring rotations

Have you been in the galleries recently? If so, you may have noticed that we are in the midst of rotation season right now. Each week, we remove another group of light sensitive objects from view and replace them with works from storage. Attentive visitors can track these changes by looking for the blue “newly on view” dots in the galleries.

Japanese baskets, newly on view

Most recently we’ve made changes to our Chinese painting display, Japanese basket area, and the second floor Korean gallery. So what might you see on your next visit?

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Somewhere a Shanghai garden grows

"Vestiges of a Process: Shanghai Garden" during installation.

Shanghai has been up a little more than a week, long enough for a number of media reviews, blog posts, and general discussion points to emerge. One piece that seems to elicit particular comment is Zhang Jian Jun’s installation Vestiges of a Process: Shanghai Garden (2009).

Down in the shadowy basement and back halls of the museum services division, this is known affectionately as the piece with the bricks. Not just your garden variety red clay bricks, but some 3,000 antique grey bricks taken from the remains of buildings dating to the high-times of 1920s Shanghai, recently demolished to pave the way for new construction.

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Shanghai update

Whew! Our first week of installation for Shanghai is over, and week two is about to begin. All of the objects have arrived safely and the galleries are beginning to really take shape. The exhibition crew has been busy condition checking artwork, hanging paintings, dressing mannequins, and dealing with all of the assorted surprises that emerge with a project of this complexity. Here a few behind the scenes images from the past week.

A detail of the neon tube components of Shen Fan's installation "Landscape—Commemorating Huang Binhong—Small Scroll."

Shanghai sneak peek – Qipao

From behind the scenes of Shanghai, stylish qipao from the Shanghai History Museum are unpacked for condition checking. A total of five of these body-hugging garments, featuring rich fabrics and art deco inspired motifs, are included in the “High Times” section of the exhibition. First worn by fashionable women in Shanghai during the 1920s and 1930s, the distinctive qipao remains popular today.

Shanghai remodeling

With Shanghai right around the corner, museum preparation staff have been busy reconfiguring the museum in ways we haven’t quite seen before.

Objects selected  for Shanghai include not only the 2-D paintings and works on paper that visitors might expect, but a wide variety of furniture, textile arts, video works, and contemporary installations by leading Shanghai artists. This variety of object types can be a challenge for our designer. In particular, the museum’s existing gallery spaces were not originally designed to fit contemporary installation art or to display video art.

As a result, various spaces around the museum have been receiving substantial Shanghai makeovers.

Windows to north court are covered with new walls to create additional display space.

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